Tag: germany

• Working Through the Breasts of The Secret Museum of Anthropology

  
  I have a book. It has been in my possession for a few weeks now. It is called The Secret Museum of Anthropology. It was a private printing from the American Anthropological Association created in 1935 from a series of pirated photos. It included illustrations as well, to make it more science-y I am guessing. The photo above is the cover, the copy, and the drawing that I’ve been intrigued by since receiving the book. I… like it? No. Yes? It is provocative. That is a better word I think.

  So, today, since I woke up an hour early due to daylight savings time, I decided to finally work through the illustration and the book by drawing, photographing, printing, cutting, and pasting. The result is a triptych (three 16x20inch panels) of the book and the breasts featured in the book. I did this because my way of working through problems is to play with them/tear them apart, recreate them, meditate on them, and then figure out what the hell is going on in my head around it (Yay to weird methodological approaches!).

  

  [those are some crooked photos!] I think I might keep it in this order. I think what was so intriguing to me about the photograph is the ability to reduce even breasts to types, when, if you actually put the illustration next to the breasts in the book, it… doesn’t work. The reduction is actually, hilarious. And the actual breasts in the book are overwhelming. So, that is where I am. The problem is, and will always be, the reduction of women of color from specific groups being reduced to a squiggly line, a line that can be erased and erases at the same time.

  I need to finish cleaning up the drawings. I am debating adding the numbers. I will be sharing the triptych with a class in 1.5 weeks, so I need to get everything finalized. I think I’m almost there.

  Jade

  Nov 4, 2012

  acdemia, Human Zoo, my work, reading

  anthropology, breasts, drawings, germany, images, media, obesessions, performance studies, reflections

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• Trigger Warning: On a Photograph and a Blog Post

  

  In attempting to understand the origins of racism, it is important to avoid removing it to a historical past or displacing its sources onto the oppressed.  Any investigation or representations of [otherness], then, must take a critical look at Euro-American whiteness to understand the construction of race as a category.  As critic Coco Fusco has insisted, “To ignore white ethnicity is to reduce its hegemony by nautrualizing it”

  Brian Wallis, Black Bodies, White Science: Louis Agassiz’s Slave Daguerrotypes, in “Only Skin Deep”, p. 179

  In the original quote, “otherness” was “african-american blackness”, but as we move out towards Euro-American ideals of seeing “types”, it becomes the other.  This is post is a reaction to a recent post that was featured on Sociological Images, Human Zoos at the Turn of the 20th Century.  The post featured this mans quotes and appeared to be in response to a Speigel Online article on remains being returned home.  The article featured a small photogallery.  Instead of using the image of the man behind the terror/horror, the only images that accompanied the article, and article that led with the trigger warning on the image above, only featured images of the “victims”, not the man.  I think the trigger warning should sit with the man holding the gun.  If we are going to face it, we should see the proper faces of the violence. Not the metaphorical remains of their inhumane actions. That strips those people and their descendants of their humanity, over, and over, and over again.  The new term I learned this weekend from my psychoanalysis reading was “soul murder”.  I’m starting to think that is what the displacement of oppression does.

  The image above is my attempt at properly facing the trigger warning, because he was not one of the ones who stayed so behind the scenes of the people and the photographs that we do not have his name or quotes or (hi)story, and because his name is still spoken, anytime someone wants to go to his zoo, the one that bears his name.

  Jade

  Oct 21, 2012

  digital, Digital History, Human Zoo, web stuff

  (in)visibility, beliefs, blackness, germany, memory studies, news, other people’s blogs, the past, whiteness

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