After the wonderful panel yesterday, I had some people ask for more details on what I’m doing. Here is an abstract:
Historical glitch: Understanding digital media through the photographic lens, explores the intersecting media ecologies of social media, digital heritage content, and culture. Specifically, this project focuses closely on what a digital project that takes advantages of the formal changes inherent in the shift from analog to digital media looks like. The project highlights how social media can be used as platforms for change and also looks at their limits and potentials for knowledge and culture when such media are used to construct alternate historical narratives. The case study for this project, Vintageblackbeauty, which was digitally born on the social networking site Tumblr, puts digital tools into practice by disseminating historical photographs of black women in their everyday lives from across the black diaspora. The effects of this experiment are theoretically understood through the works of Fanon, Hurston, and McLuhan. Additionally, a digital performance piece that analyzes the effects of this practice, informed by Dada art practices, puts the theoretical implications into motion by placing the digitized photographs gathered on Vintageblackbeauty in conversation with media from the same time periods. Through exploring this ecology, I posit that we can gain a better understanding of some of the differences between digital and analog media, their different potentials for change, as well as the inherent limits they pose. While digital media do allow for greater access and dissemination, they are still tied to a screened experience and held to ethical standards determined by various stakeholders who are often ephemeral or evolving and in contradiction with how we have been trained to conceive of knowledge production.